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Design Archives now includes more than 20,800 selections from AIGA's competitions from 1924-2008.

April 20, 2012	Design Reading: A Brand-new Conversation on AIGA.org What role does memory play in design? Book-inspired questions like this one, sparked by Joshua Foer’s Moonwalking with Einstein, are at the heart of Design Reading, an ongoing online dialogue about the influence of reading in our work.
April 18, 2012	Designing for Social Change: Stumbles to Strategies Andrew Shea, author of Designing for Social Change, highlights four strategies that will help you better navigate your next social-impact project.
April 18, 2012	A Commitment to Design’s Future Nathan Shedroff, chair of the MBA in Design Strategy at California College of the Arts, reflects on AIGA’s history and why now is the time to advocate for both substance and style.

May 10, 2012	Design leaders maintain confidence in the design economy's growth NEW YORK—May 14, 2012. AIGA’s Design Leaders Confidence Index rose again in the first quarter of 2012, rising from 100.71 to 104.15—the second highest level of confidence since AIGA began monitoring confidence in 2005.
April 27, 2012	NEA Awards Two Grants to AIGA NEW YORK—April 27, 2012. This week the National Endowment for the Arts (NEA) announced the results of its August 2011 deadline, which included support towards the development of a National Design and Social Impact Mentorship Program and 100 Years of Design in America, a series of educational videos about accomplished designers.
February 16, 2012	AIGA and Design Observer partner on “50 Books/50 Covers” NEW YORK—February 17, 2012. Today AIGA, the professional association for design, announced a partnership with Design Observer to sustain the legacy of its signature competition, “50 Books/50 Covers,” while reaching new audiences for participation and the celebration of book design. Design Observer will expand its support of this renowned AIGA competition through a partnership with Designers & Books, a website showcasing books that esteemed members of the design community identify as personally important, meaningful and formative.